Pencil Turns a Street Into a Cartoon
A hand with a light-blue pencil taps a passing train, a cat and a woman on a bench, and each one turns into hand-drawn line art while it keeps moving.
Real output with the prompt behind it. Find the one closest to your idea and make it yours.
A hand with a light-blue pencil taps a passing train, a cat and a woman on a bench, and each one turns into hand-drawn line art while it keeps moving.
An aerial shot follows the sea pulling back from a crowded beach before a wall of water sweeps over the skyline and floods the streets.
Seen from above, a woman lies on her back in turquoise water while a huge orange tulle gown spreads around her and sunlight ripples across it.
A man on a neon-lit city street in heavy rain watches the crowd stop dead around him, then spots a stranger in the distance wearing his own face.
A young woman in white strolls a quiet sunlit street and leans over an outdoor glass tank, smiling at the goldfish through the water.
A cel-shaded red pickup truck winds along a desert canyon road, followed from aerial, rear and overhead angles.
In a dark living room, a white humanoid robot kneels beside a child on the floor and hands over tiny parts for a colourful pinwheel toy.
A vlogger talks to the camera as she walks cobbled old-town streets, tastes a pastry, browses a fruit market and ends on a terrace above red rooftops.
The camera rises from crashing waves up a dark rock face to a single figure standing at the edge of the cliff under a clear blue sky.
A young creator unboxes a pair of black mesh sneakers in a bright bedroom, laces them up and runs down a sunny street, cut like a phone-shot review.
A diver glides over a coral reef past an octopus as a huge whale swims overhead and surfaces through a wall of white water.
Tiny chef figures run a tilt-shift miniature factory that slices a giant potato, fries it and pours cheese sauce over the fries.
A woman in a dark spacesuit sprints down a red-lit spaceship corridor as Earth burns outside the window, then wakes gasping in her bed.
A handmade clay-style boy with messy hair sits on a white bed, sleepily hugging a big fluffy pillow and swaying.
A helicopter drops into a glowing lava canyon as molten falls pour down the rock walls and the pilot fights the controls.
An anime-style young woman in a lilac top rides a skateboard along a seaside path lined with palm trees, hair blowing in the wind.
A brown bear cub climbs into a blue vintage car parked in a field, splashes through a puddle and wanders off past a haystack.
Crisp pan-fried dumplings split open to drip golden broth onto a spoon, then land on a plate under a warm lamp in a night kitchen.
A black-robed swordsman stands in a grassy field and throws out a glowing dome of energy that hurls attackers and earth into the air.
A woman and two children cycle through a country village and golden rice fields, then rest beside a stream at sunset.
A tiny figure stands before a giant freestanding door in a starlit desert, its open frame full of swirling fire and blue light.
In an animated supermarket, a man grabs a cart with one bad wheel and it drags him down the aisles past startled shoppers.
A woman in a white bathrobe dabs foundation with a sponge, then smiles into a bright marble vanity mirror in soft close-ups.
Two blond martial artists in white gis and black belts trade fast strikes and blocks in a wooden dojo open to a green forest.
How to use the example prompts to plan your prompts, references, and generation settings.
To show what SayMaker's models actually produce, with the prompt that produced it printed beside the result. Read a few before your first run and you'll see which details each model listens to.
Borrow the structure behind a clip you like and swap in your own details. The camera move and the pacing are usually what made it work; the subject and the setting are what make it yours.
Match it to where your clip will run. Selling something: the product examples, lit like an ad. Going for spectacle: the cinematic ones. A stylised look: anime. A feed post: the short social clips.
Yes, on every card that carries its prompt: open it to read how motion, camera, style and scene detail are written, then press Make one like this.
Yes. Pick an example where the reference frame, subject identity and composition carry the shot, then upload your own image and direct only the motion and camera you want.
Spell it out. The strongest showcase clips name subject, action, location, camera movement, lighting, style, and timing in plain language.
The examples are served from SayMaker's own media library, so you can study the output and its prompt structure in one place.
First write down the reusable pattern — subject, action, camera, setting, style, duration, constraints. Then swap the original subject for yours, keep only the structure that helps your clip, and drop details that belong to the old scene.
Yes. The gallery pairs real output with the practical prompt patterns behind it, a proven starting point for writing your own.
Yes. The prompt patterns carry across Seedance 2.0, Seedance 2 Mini and Seedance 2 Fast, so one structure can run on whichever tier fits the shot.
Start from real output and the prompt behind it, not a blank page: pick the closest item, swap in your subject and camera, and generate your version while the idea is still alive.